A Star Trek idea: A comedy sitcom where instead of a Vulcan on a mostly human ship it is a human on a mostly Vulcan ship
All the Vulcans are fiercely protective of the ‘fragile, illogical, prone-to-danger, smart, reckless little human’.
To make the human feel more accepted (as it is only logical) the Vulcans try to include aspects of terran culture in the ship’s day-to-day life, failing spectacularly at it.
The human loves them even more for it.
They’ll get better at celebrating the human’s birthday next year. It’s the thought that counts.
In time, you will know what it’s like to lose. To feel so desperately that you’re right, yet to fail all the same. Dread it, run from it, destiny still arrives…
It’s almost as if Hugh Hefner was projecting a force-field that protected creepy famous men, and with his death they were suddenly exposed.
Clearly there was a supernatural battle for the soul of the earth between Carrie Fisher and Hugh Hefner and, rightfully, she strangled him with the weight of the chains he and his cronies tried to shackle all women with.
So I went to an art conference at my school. We discussed things there, like how colors can be very powerful and our subconscious picks up the subtlest of hints. Pixar’s UP was a very unforgettable example. The colors of UP had a lot to do with why we cried. You all know what I’m talking about, right??
Ellie’s death.
We were told that her color was pink. That’s why her hospital room had pinkish hue.
And the next scene had strong pink hues. He misses her. I think it’s got strong colors because of her personality.
Also, It’s like her presence is still lingering.
When he got home, only a small part of the frame (window on the right) has a pink hue as the sun is setting. By now, we know her presence is drifting away.
Mr. Fredricksen walks up the porch and goes into his house.
And when he shuts the door, the final frame looks like this:
Ellie is gone.
The entire frame is desaturated and cold because the warmth in Mr. Fredrickson’s life is gone.
And that’s another reason why this masterpiece is heart-wrenching. And that’s how powerful colors are in films.
